Bodies

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The unnamed narrator of Jed Mercurio's Bodiesis a newly qualified house officer in a busy city hospital. He arrives with his ideals intact and a vision of what his career in medicine will be. Within a short time the relentless procession of sick and damaged patients, the long, wearying hours he is obliged to work, the cynicism of his colleagues and the constant presence of death and disease take their toll. His idealism vanishes. He looks the other way when senior doctors are negligent or treat patients with contempt. He suffers guilt when a terrible mistake of his own is routinely covered up. His only escape is an intense sexual relationship with a student nurse. Sex is as clinically described in Bodiesas the indignities that age and accident inflict on the body. Mercurio wants to replace the melodrama of TV hospital series in which square-jawed doctors and glamorous nurses battle heroically against sickness and disease. In order to do so, he spares the reader few of the physical details that accompany illness and the body's disintegration. In pursuit of realism he peppers his text with medical slang and jargon, carefully annotated and explained in footnotes. What he has produced, however, is not realism but an inverted version of the melodrama. Instead of everything finally turning out well, the reader knows that, in this novel, everything will turn out very badly indeed. In place of square-jawed doctors saving the sick, Mercurio gives us drug-popping cynics exchanging the blackest of banter over dying patients. Melodrama it may be but, as the book's narrator seeks redemption by turning whistle-blower on hospital practices, it is very gripping melodrama.--Nick Rennison